Press


Patrick Bernatchez on Patronage, Quebecois art, and Keeping Time

Written by Sky Godden
Published in ArtInfo, March 13, 2013

''The Quebec artist, Patrick Bernatchez is experiencing a particular high point in a practice peaked with same. His recent and forthcoming solo exhibitions and performances include venues like the Palais de Tokyo, the Casino Luxemburg, and the Musee d'art contemporain de Montreal, and he’s found a trusting patron for his serial and drawn-out projects. Bernatchez has entered an enviable moment in any artist’s career: one of experimentation, carte blanche, and dream fruition.''

See complete text: http://ca.blouinartinfo.com/news/story/877293/patrick-bernatchez-on-patronage-quebecois-art-and-keeping-time

Painting imitates how the viewer looks at it

Written by Scene Staff
Published in CBC Manitoba, November 22, 2012

This is his statement about his painting, Inspector (Inspector): "Inspector (Inspector), belongs to an ongoing body of work. These paintings are made using a generative system of stencils that capture and re-distribute motifs amongst the paintings. The blue loops that slip across this painting's surface act like a surrogate for a viewer's gaze. They scan the painting's surface, en-framing and altering what they pass over. Conversely, the circular loops form a set of gaping eyes which return the stare, prompting a situation of reciprocal scrutiny."

See complete text: http://www.cbc.ca/manitoba/scene/other/2012/11/22/painting-imitates-how-the-viewer-looks-at-it/

Related Artists: Krisjanis Kaktins-Gorsline

Corps à corps frémissants

Written by Marie-Ève Charron
Published in Le Devoir, October 13, 2012

''À n’en pas douter, dans le travail de Marion Wagschal, il y a une sensibilité en apparence viscérale que la facture des oeuvres rend perceptible aux premiers contacts. ''

See complete text: http://www.ledevoir.com/culture/arts-visuels/361186/corps-a-corps-fremissants

Related Exhibition: Œuvres sur papier
Related Artists: Marion Wagschal

Drawing-collage fusions hold surprises at Vancouver Drawn

Written by Kevin Griffin
Published in Vancouver Sun, July 11, 2012

The exhibition of works by Montreal artist Sophie Jodoin are organized to tell a loose narrative meant to show the various stages in the life of a person from childhood to adulthood, according to curator Lynn Ruscheinsky. Describing Jodoin as one of the country’s most creative drawers, Ruscheinsky said the artist makes works that combine everyday objects in startling new ways that are reminiscent of dreams.

See complete text: http://www.vancouversun.com/travel/Drawing+collage+fusions+hold+surprises/6918379/story.html

Related Artists: Sophie Jodoin

Sophie Jodoin’s drawings are charged with the spectres of trauma

Written by Robin Laurence
Published in Georgia Straight, July 3, 2012

Darkness and light, innocence and brutality, comfort and destruction: Sophie Jodoin’s drawings are filled with contrast and conflict. They are charged with metaphors of physical violence and psychological suffering, and shaped by meditations on our shared mortality.

See complete text: http://www.straight.com/article-724046/vancouver/sophie-jodoins-drawings-are-charged-spectres-trauma

Related Artists: Sophie Jodoin

Artist draws human condition in black & white

Written by Matthew Hoekstra
Published in Richmond Review, June 21, 2012

It might look like a series of simple spaces, but Sophie Jodoin has much bigger plans for Richmond Art Gallery when the Montreal artist arrives Monday. “I see them as chambers of our lives. You wander through it and each body of work makes you question how you live your own life and the kinds of struggles you might be going through,” she said.

See complete text: http://www.richmondreview.com/entertainment/159955635.html

Related Artists: Sophie Jodoin

Between the lines of abstraction

Written by John Pohl
Published in The Gazette, May 5, 2012

"The New York school also influenced John Fox, a Montreal figurative painter who devoted 15 years in mid-career to abstraction, and then returned to figuration. Battat Contemporary is showing some of his abstract works, which are all about line and gesture." Read more: http://www.montrealgazette.com/entertainment/Between+lines+abstraction/6568869/story.html#ixzz1uJ5ElfJp

See complete text: http://www.montrealgazette.com/entertainment/Between+lines+abstraction/6568869/story.html

Related Exhibition: Abstractions
Related Artists: John Fox

Krijanis Kaktins-Gorsline

Written by James D. Campbell
Published in Border Crossings Magazine, May 1, 2012

"In the works exhibited here, Krisjanis Kaktins-Gorsline performs on his own paintings a crisp and deft trepanning. He makes process an overt subject matter by taking motifs from his paintings and replicating them over and over again in their ongoing facture. The stencils derived from gestures in a given painting are thus integral to each successive painting, where the stencils marry with one another and with new gestures to generate new shapes that then become new stencils. Each painting is layered with a host of processual precursors, and an ever-higher order of evolutive complexity. In so doing, Kaktins-Gorsline opens painting to issues of ornamentation, and the motifs in question become a default template for painting, almost mathematical in its mien. Certainly, pattern and ornament in these works are binary unifying themes. "

See complete text: http://www.bordercrossingsmag.com/issue122

Related Exhibition: Nervous Lattice / Treillis Nerveux
Related Artists: Krisjanis Kaktins-Gorsline

Sophie Jodoin & Papier 12 @ Salut Bonjour

Written by Salut Bonjour @ TVA
Published in TVA, April 28, 2012

Entrevue avec l'artiste Sophie Jodoin @ TVA dans le cadre de la foire Papier12. --- Interview with Sophie Jodoin @ TVA during Papier12 Art fair.

See complete text: http://tva.canoe.ca/video/1559759444001

Related Artists: Sophie Jodoin

John Fox, Abstractions : Quand Venise, ses graffitis et son stucco deviennent sources d’inspiration

Written by Caroline Lévesque
Published in pieuvre.ca, April 21, 2012

" C’est une exposition intime, dans laquelle il se tisse une continuité dans les thèmes et les textures des toiles. La plupart des œuvres exposées sont inspirées des nombreux séjours de l’artiste à Venise, ville qu’il affectionnait particulièrement et où il est décédé en 2008."

See complete text: http://www.pieuvre.ca/2012/04/20/john-fox/

Related Exhibition: Abstractions
Related Artists: John Fox